Actors die so loud.


Actors often behave like children, and so we're taken for children. I want to be grown up.


Actors ought to be larger than life. You come across quite enough ordinary, nondescript people in daily life and I don't see why you should be subjected to them on the stage too.


Actors search for rejection. If they don't get it they reject themselves.


After Blood Simple, everybody thought I was from Texas. After Mississippi Burning, everybody thought I was from Mississippi and uneducated. After Fargo, everybody's going to think I'm from Minnesota, pregnant, and have blonde hair. I don't think you can ever completely transform yourself on film, but if you do your job well, you can make people believe that you're the character you're trying to be.


Ah just act the way ah feel.


All men practice the actor's art.


An actor is a guy who, if you ain't talking about him, he ain't listening.


An actor is only merchandise.


An actor who knows his business ought to be able to make the London telephone directory sound enthralling.


An actress must never lose her ego — without it she has no talent.


An agent is a person who is sore because an actor gets 90% of what they make.


Celebrity is death — celebrity — that's the worst thing that can happen to an actor.


Do not try to push your way through to the front ranks of your profession; do not run after distinctions and rewards; but do your utmost to find an entry into the world of beauty.


Elizabeth Taylor is pre-feminist woman. This is the source of her continuing greatness and relevance. She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary clichT. But the femme fatale expresses women's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all men's relations with women.


Every actor in his heart believes everything bad that's printed about him.


Every time I get a script it's a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell. It's like falling in love. You can't give a reason why.


First of all, I choose the great [roles], and if none of these come, I choose the mediocre ones, and if they don't come, I choose the ones that pay the rent.


For an actress to be a success, she must have the face of Venus, the brains of a Minerva, the grace of Terpsichore, the memory of a Macaulay, the figure of Juno, and the hide of a rhinoceros.


For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.

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